I retook the watercolor sketch for the fresco of the attic and I set to work on 4 copper plates that then remained in 3.
In addition to the imaginary map, there are images from the balsa, the city and the "lighthouse-egg".
Also, a strophe of a poem by Augustín García Calvo, "Las moras negras", that I had already used in the program of my exhibition in Granada in 1997:
It's something like this (aquatint and etching):
