In the Vivanco winery of Briones (La Rioja) there is already the exhibition of the awarded and the selected engravings. It will last until September.
What, at the end, I presented is entitled "mirror": within the rectangular frame of the mirror is reflected a figure of a drawing of Pontormo (it's virtually a copy with the addiction of shadows) and behind a tapestry where the grapes and the laurels alternate and mingle.
Pontormo
For the design of this tapestry I drew an iranian shield, in which I changed part of the ornamental motifs with laurel wreaths, grapes and vine leaves.
Chest armor. Iran, XVIII-XIX century, steel and gold.
After all the detours I told you in the entry that forms the first part of this one, I decided that, instead of theorizing about the eternal pursuit by Apollo in any form of the bacchic, also in any of its forms, the matter was to pass to the action and to pursue "the alive which escapes" with my engraving without further ado (with the umility due to the gods, of course!).
But... look at what came out: the fusion of the symbols of both the gods/principles (bacchic and apollonian) has been given in a vision through the mirror and the figure of Pontormo who is watching, I myself while was making the engraving and the spectator when is in front of it, assumes the attitude of when you want to see something "further".
Mirror
In this image the shadows of the figure are missing; they are engraved on a second plate, also of copper, which is printed on the same paper with the greenish tone of the mirror frame (in the print you can see the figure complete and with a border around).
Digital version of the exhibition catalog with all the selected works:
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